The Fall/Winter 2024–25 collection by Prada left a strong impression with hats shaped by colorful feathers and decorative elements.
The overall silhouettes were boxy and structured, yet carried a sense of restraint despite their ornamentation.
With their square lines, the hats unexpectedly introduced a feminine mood.
I was drawn to the vivid accents of color and the clean, refined forms.
Kazue Shima fashion illustrator.
Artwork Details
Medium: Digital Fashion Illustration
Subject: Deep oceanic blue feathered hat and boxy silhouette
Collection: Prada Fall/Winter 2024 Womenswear
Theme: The collision of masculine tailoring and delicate femininity
Artist: Visual Story Artist Kazue Shima
The Story
When I viewed the Prada Fall/Winter 2024-2025 collection, the hats crafted from colorful feathers and embellishments left a striking impression. The overall look featured a boxy silhouette—highly decorative, yet somehow maintaining a restrained presence. Even the hat possessed square lines, yet paradoxically, I felt a distinctly feminine atmosphere.
The vivid color accents paired with a clean, sophisticated form were captivating. I imagined that wearing a hat made of such delicate feathers, dyed in a blue deeper than the sky or the sea, would make one feel as though they could freely fly anywhere.
I find myself almost drifting away into these enchanting daydreams, only to be grounded back to reality by the soft touch of my cat rubbing against my legs.
Materiality & Context
When a fashion styling inspires me to draw, I inevitably face a creative dilemma: the desire to capture the precise shape versus the urge to express the materiality of the fabric.
Why combine such light, airy feathers with a rigid, boxy hat silhouette? Setting aside the designer’s original intent, I independently imagine the background of the wearer—the time, the place, and the underlying emotions. There must be a profound reason for choosing this intentional collision between masculine tailoring and a delicate, feminine feathered hat.
I cannot simply reproduce it as a visual. It is only after digesting what kind of expression the wearer holds that my pen and colors can truly begin to move across the white background.
